—"Year of the Adopted Family" book release

Sunday, August 15, 2010

Jackpot! 5 Ways to Boost Your School's Luck with Storytelling


I am not a gambling person, but I am willing to bet that storytelling would make a difference in any school.

If the art is promoted and supported, then it may not be long before students experience higher test scores and. . .some major life skills.

5 Ways to Boost Your School's Luck with Storytelling:
  • Classroom, School, and District Level Events
  • Training Teachers to Merge Storytelling with Curriculum
  • Storytelling Residencies
  • Games
  • Schools Standards

Classroom, School, and District Level Events
Any state could be a strong youth storytelling state. One classroom could lead to one school and finally one school district who support the art.

In Utah, the following school districts promote storytelling the strongest: Alpine, Davis, Jordan, Morgan, Ogden, and Weber. The Canyons District is in progress to be added to this list. Private and charter schools are becoming more interested due to the Weber State University Storytelling Festival. In February 2010, there were 87 youth tellers invited to tell for the festival. This did not count the hundreds of students who had classroom, school, or district level showcases to determine the top tellers.

Did Utah become this way overnight? No.

Though if you would like a "fast-forward" approach, then nearby festivals need to extend invitations to schools. You may be surprised at who accepts the opportunity.

Training Teachers to Merge Storytelling with Curriculum
A one-time visit from a professional storyteller can have influence, but teachers are with their students on a daily basis. These teachers could take already-made lesson plans and merge storytelling in them.

A book called “Story Proof: The Science Behind the Startling Power of Story” by Kendall Haven shows that test scores do go up when students learn through story-based teaching. The brain seems to feed off stories and remembers facts much more quickly that way.

Storytelling Residencies
Schedule a professional storyteller for more than the "one moment" with the students. When there are 2-8 weeks dedicated to literacy and communication skills, then a storyteller could guide the course through stories.

The lessons linger longer. . .and so do the "happily ever afters".

Games
Any storytelling game could connect with the curriculum. Kids to adults love these activities. Games serve as a way to kick-off a new topic or section, to reinforce concepts, and to review.

Example Game: Mixed-Up Mayhem
Set aside a bowl for each of the following categories or create your own: Status, God of Choice, Daily Activity, Place, and Object. Note that these reflect social, political, religious, geographical and economical areas. On slips of paper, write a word and place in the appropriate bowl.

For a Greek game, here are ideas to put in each bowl—
a. Status—Rich, Middle Class, Poor, Slave
b. God of Choice—Zeus, Hera, Athena, Hephaestus, Ares
c. Daily Activity—Farming, Sailing, Hunting, Wrestling, Attending Wedding, Running Household, Going to School
d. Place—Athens, Sparta, Mediterranean Sea
e. Object—Lyre, Flute, Petasos (broad-rimmed hat), Metal Headband, Tunic, Hairpins, Rattle, Little Clay Animals, Yo-yo, Terra-cotta Dolls, Pet Goat, Pet Mice

Pull a paper from each of the bowls. Create individual or group stories that connect each of the items drawn. Be prepared for stories to go in any direction as long as all words are used.

School Standards
The Youth, Educators, and Storytellers Alliance has a one-page
position statement that could guide states in how to review their school standards.

These standards are not in stone and chiseling the words "story" or "storytelling" into it does not have to be an impossible task.

So take a chance. . .roll the dice. . .and see if you can soon yell "Jackpot! There's storytelling in my school!"


Until we tell again,

Rachel Hedman
Professional Storyteller
Tel: (801) 870-5799
Email: info@rachelhedman.com
Family Famine Series Site: http://www.familyfamine.com/

Sunday, August 01, 2010

"Eat, Pray, Love"--A Teller who Traveled to Conference

Thanks to Karen Rae Kraut, we have this picture (left to right): Rachel Hedman, Joel ben Izzy, and Willa Brigham. This was after we sung and danced "We love our hats!" at the 2010 National Storytelling Conference in Los Angeles. Consider it a jazzy thankful prayer.

Elizabeth Gilbert's memoir "Eat, Pray, Love" has had a resurgence of popularity with the movie hitting theaters.

Little did she know that those three words could also apply to anyone attending a storytelling conference. . .or any kind of conference.

I have had the privilege to attend six National Storytelling Conferences: 2004--Bellingham, WA; 2005--Oklahoma, OK; 2006--Pittsburgh, PA; 2007--St. Louis, MO; 2008--Gatlinburg, TN; 2010--Los Angeles, CA.

Here are some wisdom gained:

Eat
Whether the aroma of food or the word "free" in front of "lunch", people are drawn to meals. A storytelling conference revolves around food.

Focus groups. . .and eating.

Membership meetings. . .and eating.

Celebrations. . .and eating.

With so much food to be had, sometimes came the thought, "Boy, do I wish I would have asked the hotel if they had a small refrigerator!"

I smiled when the National Storytelling Network membership meeting merged with a free lunch for the Los Angeles Conference. More people seemed to linger and listen than at other conferences. As we relished in the one-minute stories of why people came to the art, the entertainment brought a satisfaction to our stomachs.

Eating does not consist only of that physical sustenance that calms the grumbling stomach.

There is plenty to feast upon while at a conference. There are workshops, intensives, concerts, fringes, keynotes, story swaps. . .and the list could go on. A conference attendee may be tempted to "taste it all".

I used to think I had to go to everything. Then, with conflicting sessions, decisions had to be made. I could rush everywhere and go crazy. Or, I could absorb whatever opportunity presented itself in the moment. Giving attention to one person in the hallway may be better than being counted among the hundreds.

As can be the case in eating too much, there is the risk to spew forth when too much is in the belly.

Allow time to digest and savor every flavor.

Pray
Singing naturally comes from my mouth. If I do not sing, then a hum is sure to pass my lips. All is like a prayer no matter the tempo or energy.

Some conferences have had talented musicians like Larry Brown, Joseph Sobol, or Willy Claflin to strum the guitar and inspire the people in group singing. For the Los Angeles Conference, I watched delightedly as my friend, Holly Robison, was asked to join Joseph and Willy on stage. She swayed with the music and added an angelic voice to the mix. Her wardrobe had a modern hippie look with her yellow loose slacks and long yellow scarf. Since the song was a parody of the classic "Get Together" by the Youngbloods on the changes for the National Storytelling Network, everything established the perfect mood.




Afterward I told Joseph, "You see why I love working with her?"

Holly and I sometimes do tandem telling/singing for the Family Famine Series. Electric guitarist Joshua Payne joined us for the "Family Famine: Hunger for Love" fringe while at the Conference.

On Sunday morning of the same conference, Victoria Burnett slipped on some white gloves and gave us a "tour" of the Black Baptist Church (B.B.C.) with music that could move any soul. With swaying and call-and-response, the hotel ballroom transformed into a spiritual place full of fervor.

Love
Even as a new conference attender, you could feel the urge to embrace when a Facebook friend or social network buddy becomes flesh for the first time.

Holly Robison, as one of these new attenders, said, "I've been telling people how generous and loving the storytelling community is. . .then at the conference, I saw that as I talked with people, they were genuinely interested in what I had to say."

If you are not the kind who gives--or receives--hugs, then you may at least give handshakes. The next step could be to place your hand on someone's shoulder.

I lost track of the number of hugs I gave or received during the Los Angeles Conference or any of the conferences. Many people relate conferences as family reunions, and who fails to hug at a reunion?

Laughter and tears are shared along with the hugs. As my husband and I are in the middle of the adoption process, several peopled asked for updates. Sometimes I did not know where to start except that "On January 20, 2010 we became 'visible'. Birth parents can find us online now." A smile spread across my face as I told people, "I am a vocal person. When there is something to report, you will know!"

So. . .Eat. . .Pray. . .Love!

You find it all no matter which storytelling gathering you attend.

Until we tell again,

Rachel Hedman
Professional Storyteller
Tel: (801) 870-5799
Email: info@rachelhedman.com
Family Famine Series Site: http://www.familyfamine.com/

Thursday, July 15, 2010

Creating a Youth Storytelling Community One Kid at a Time


Most youth storytelling events are just that: events. Nothing may occur for another year. Until then, the youth have nowhere to express their talents.

This is assuming that you have at least one youth storytelling event in the area.

Even with intense organizational efforts, the youth may not feel like they were important to its success.

One youth teller stated in front of parents, teachers, and coaches, “No. This festival is not about me.”

For such a youth-centered event, the answer was devastating. The leaders vowed to change this perception.

To create a youth storytelling community, you will need to:
  1. Build an Event for Youth
  2. Develop Reunions and Gatherings
  3. Promote Storytelling Games and Fun
Build an Event for Youth
Expand your mind as to what could be considered an event such as a: party, social gathering, house concert, library activity, school assembly, campus celebration, civic meeting, contest, festival, etc.

An all-youth storytelling event is preferable, though youth tellers could share the stage with adult tellers and performing artists. Some places encourage artists to come from the community, thus inviting amateurs and professionals. Adult and child levels could be supported.

A festival allows for more than one youth teller to participate in the program.

For the three-day Weber State University Storytelling Festival, 87 youth took part along with 4 national tellers and 30 Utah adult tellers.

Most events will not have as much opportunity to highlight that quantity of youth. If the audience leans towards about 50-100 people in the audience, then 3-5 youth might be able to join the other performers.

Having one youth teller as part of an event would still be one more teller than what normally occurs.

Develop Reunions and Gatherings
A parent exclaimed, “My child has been anxious for this reunion for months.”

After 14 years, the Weber State University Storytelling Festival endeavored to hold a Youth Teller Reunion. The idea could be one of the first of its kind.

During the 2010 February festival, each of the 87 youth tellers received a “Save the Date” postcard. At the beginning of June, letters and RSVP cards arrived to the youth’s homes. Inside the letter the youth were told, “You are officially part of the Festival Family and will be invited every year to this new tradition.”

Youth tellers from other festival years could join the reunion, but that would come from word-of-mouth. One year’s worth of youth would be a large enough group for the kick-off.

An event involving any number of youth inspires a reunion. Three youth would be enough to have an ice cream party or a retreat. Besides, it is easier to arrange smaller gatherings. These gatherings may evolve into something bigger like a reunion.

A reunion need not be an expensive affair.

The Youth Teller Reunion of the Weber State University Storytelling Festival was fortunate to have the Ogden Eccles Dinosaur Park waive its rental fee for the space. The park already generated excitement. The Park offered for the youth teller and one parent to attend for free while other family members paid the group rate.

Out of the 87 youth, 24 came. With parents and family members, the numbers reached 76 people.

To further the low-cost approach, the families brought their own lunches. The festival donated items like water bottles, Frisbees, storytelling CDs, and posters as door prizes.

About a week previous to the reunion, 12 names of youth tellers were drawn to determine fairly who would perform for the concert at the park. After the concert, the families could roam the dinosaur park for as long as they liked.

A reunion provides a story-filled day to energize the youth to continue in the art.

Promote Storytelling Games and Fun
While at the Youth Teller Reunion, parent-volunteers led the youth in games. Once taught, the youth could play the games and teach others . . .possibly other kids in their neighborhood.

Provide a copy of these games, possibly through email, to the youth. Give them freedom to adapt the ones on the list or to create their own games.

The youth may enjoy playing the games so much that they will wish to form a storytelling club. These clubs may be as informal as kids wandering into the same space and “talking stories”. Some organizations, like 4H, may sponsor the gatherings while some schools may opt the storytelling clubs as after-school activities.

For storytelling game ideas, check out the book “Raising Voices: Creating Youth Groups and Troupes”.

I also feature a storytelling game each month as part of my e-newsletter. You can go to http://www.rachelhedman.com to sign-up for this free resource.

So what are you waiting for?

Your youth storytelling community may have the population of one.

But one plus one plus one plus one. . .it adds up.

Until we tell again,

Rachel Hedman
Professional Storyteller
Tel: (801) 870-5799
Email: info@rachelhedman.com
Family Famine Series Site: http://www.familyfamine.com/