"Year of the Adopted Family" book release

Wednesday, August 01, 2007

Ancient Civilizations: Story Standards Then to Now

China, Egypt, Greece, India, and Mesopotamia are places that are rich in storytelling. You may discover the storyteller’s role in each of these cultures while simultaneously meeting curriculum standards of the geographic, political, economic, religious and social developments. You can appreciate stories in any time period.

Please note that these games are part of a larger workshop I lead under the same title of “Ancient Civilizations: Story Standards Then to Now”. Rather than the usual article, I have listed storytelling games easily adaptable to Ancient Civilizations studies. At the end are some references to stories.

A new tradition for this blog will be the "Question to Ponder" so as to inspire more conversation about the subject. Feel free to post your own questions and answers.

Question to Ponder:

How can one weave cultural elements into a story so as to be educational and entertaining at the same time?

Six Storytelling Games/Activities:

1. Your House vs. Their House (can also be applied to Neighborhoods)

  • Give blank paper to each student so to draw his or her house as if someone tore off the roof and looked inside.
  • Each student has a partner and gives a “tour” of the house. Encourage all to share moments that may have happened in the rooms.
  • After this warm-up, ask them to draw a Greek home or provide a ready-made drawing of a Greek home.

Usually 2-3 rooms built around open air courtyard

Built from stone, wood, or clay bricks

Larger homes had kitchen, room for bathing, men’s dining room, women’s sitting area

Life centered around the courtyard such as to gather to tell stories, relax, chat, sew, cook

  • Ask the students to give a “tour” of this Greek home as if they lived there.

***Many storytellers use this type of activity for workshops such as Karl Behling and Kevin Cordi. My spin on this game is to apply it to what homes from other cultures may be like.

2. Noun Nonsense

  • Provide copies of a story from the culture so the students can read the story to themselves. Upon the second reading of the story, ask the students to highlight any nouns within the story.
  • Ask the students to expand the current story by adding more social, political, geographical, religious, or economical details to the highlighted nouns.

3. Mixed-Up Mayhem

  • Set aside a bowl for each of the following categories or create your own: Status, God of Choice, Daily Activity, Place, and Object. Note that these reflect social, political, religious, geographical and economical areas.
  • On slips of paper, write a word and place in the appropriate bowl. For a Greek game, here are ideas of what you might put in each bowl—

Status—Rich, Middle Class, Poor, Slave

God of Choice—Zeus, Hera, Athena, Hephaestus, Ares

Daily Activity—Farming, Sailing, Hunting, Wrestling, Attending Wedding, Running Household, Going to School

Place—Athens, Sparta, Mediterranean Sea

Object—Lyre, Flute, Petasos (broad-rimmed hat), Metal Headband, Tunic, Hairpins, Rattle, Little Clay Animals, Yo-yo, Terra-cotta Dolls, Pet Goat, Pet Mice

  • Have students pull a paper from each of the bowls. Create individual or group stories that connect each of the items drawn. Be prepared for stories to go in any direction as long as all words are used.

4. Sayings in the Pocket

  • Gather proverbs from the country and/or create sayings that could have been said during that time period at home, work, school, etc. Give a copy of all these proverbs/sayings to the students.
  • Take your copy of these sayings and cut them up so that there is one saying on each slip of paper.
  • Create the setting for the story with students suggesting people, a place, and a crazy problem. Have two or more students act out and create the story from the suggestions. When you ring a bell, have one of the students pull a slip of paper, read the saying, and have the story twist in another direction. Students will need to be familiar with what the saying means so that they can use cultural knowledge to make a great story.

5. Circle Story

  • Provide a cultural vocabulary list. Explain that there will be a game the next day based on these terms.
  • When the students have had time to study (or even a couple minutes at the beginning of class to review), have everyone sit in a circle.
  • You start a story set in that culture and use one of the vocabulary words. The student to your right continues the story using a different vocabulary word. The story goes to each of the students until all vocabulary words are used. This game is important that the student knows the words as well as how to use the word in a sentence.

6. Senses Gone Sour

  • Tell a story from the culture. Then ask students to brainstorm on what could be found in the culture using the Five Senses: Sight, Smell, Hearing, Touch, and Taste.
  • Ask for volunteer to be blind, deaf, or mute. Have that student tell the story using the senses still available to a blind, deaf, or mute person.

REFERENCES FOR ANCIENT CIVILIZATIONS STORIES

China

Barchers, S. I. (1990). Wise Women: Folk and Fairy Tales from around the World. Englewood,

CO: Libraries Unlimited.

Caduto, M. J. (1997). Earth Tales from Around the World. Golden, CO: Fulcrum Publishing.

Climo, S. (2005). Monkey Buisness, Stories from Around the World. New York City: Henry Holt and Company.

Collier, I. D. (2001). Chinese Mythology. Berkeley Heights, NJ: Enslow Publishers.

DeSpain, P. (1993). Thirty-Three Multicultural Tales to Tell. Little Rock, AR: August House.

DeSpain, P. (1979). Twenty-Two Splendid Tales to Tell from Around the World: Vol. 2. Little

Rock, AR: August House.

Forest, H. (1996). Wisdom Tales from Around the World. Little Rock, AR: August House.

Forest, H. (1995). Wonder Tales from Around the World. Little Rock, AR: August House.

Hamilton, M. & Weiss, M. (1999). How & Why Stories, World Tales Kids Can Read & Tell. Little Rock, AR: August House.

Holt, D. & Mooney B. (1994). Ready-to-Tell Tales. Little Rock, AR: August House.

MacDonald, M. R. (1992). Peace Tales: World Folktales to Talk About. Hamden, CT:

Linnet Books.

Medlicott, M. (1992). Tales for Telling from Around the World. New York City:

Kingfisher Books.

Sierra, J. (2002). Can You Guess My Name?. New York City: Clarion Books.

Yolen, J. (2003). Mightier than the Sword, World Folktales for Strong Boys. Orlando,

FL: Harcourt.

Egypt

Caduto, M. J. (1997). Earth Tales from Around the World. Golden, CO: Fulcrum Publishing.

Climo, S. (1989). The Egyptian Cinderella. New York City: HarperCollins.

Greger, C. S. (1996). Cry of the Benu Bird, an Egyptian Creation Story. New York City: Houghton Mufflin.

Grindley, S. (1997). Breaking the Spell, Tales of Enchantment. New York City: Kingfisher.

Harris, G. (1992). Gods & Pharaohs from Egyptian Mythology. New York City: Peter Bedrick Books.

Holt, D. & Mooney B. (1994). Ready-to-Tell Tales. Little Rock, AR: August House.

Nardo, D. (2001). Egyptian Mythology. Berkeley Heights, NJ: Enslow Publishers.

Greece

Barchers, S. I. (1990). Wise Women: Folk and Fairy Tales from around the World. Englewood,

CO: Libraries Unlimited.

Condos, T. (1997). Star Myths. Grand Rapids, MI: Phanes Press.

DeSpain, P. (1993). Thirty-Three Multicultural Tales to Tell. Little Rock, AR: August House.

Forest, H. (1996). Wisdom Tales from Around the World. Little Rock, AR: August House.

Forest, H. (1995). Wonder Tales from Around the World. Little Rock, AR: August House.

Holt, D. & Mooney B. (1994). Ready-to-Tell Tales. Little Rock, AR: August House.

Hamilton, M. & Weiss, M. (1999). How & Why Stories, World Tales Kids Can Read & Tell. Little Rock, AR: August House.

MacDonald, M. R. (1992). Peace Tales: World Folktales to Talk About. Hamden, CT:

Linnet Books.

Hebrew

Caduto, M. J. (1997). Earth Tales from Around the World. Golden, CO: Fulcrum Publishing.

DeSpain, P. (1979). Twenty-Two Splendid Tales to Tell from Around the World: Vol. 2. Little

Rock, AR: August House.

Forest, H. (1996). Wisdom Tales from Around the World. Little Rock, AR: August House.

Forest, H. (1995). Wonder Tales from Around the World. Little Rock, AR: August House.

Gerstein, M. Queen Esther the Morning Star. (2000). New York City: Simon & Schuster Books for Young Readers.

Holt, D. & Mooney B. (1994). Ready-to-Tell Tales. Little Rock, AR: August House.

Yolen, J. (2003). Mightier than the Sword, World Folktales for Strong Boys. Orlando,

FL: Harcourt.

India

Barchers, S. I. (1990). Wise Women: Folk and Fairy Tales from around the World. Englewood,

CO: Libraries Unlimited.

Caduto, M. J. (1997). Earth Tales from Around the World. Golden, CO: Fulcrum Publishing.

Climo, S. (2005). Monkey Buisness, Stories from Around the World. New York City: Henry Holt

and Company.

DeSpain, P. (1993). Thirty-Three Multicultural Tales to Tell. Little Rock, AR: August House.

DeSpain, P. (1979). Twenty-Two Splendid Tales to Tell from Around the World: Vol. 2. Little Rock, AR: August House.

Forest, H. (1996). Wisdom Tales from Around the World. Little Rock, AR: August House.

Forest, H. (1995). Wonder Tales from Around the World. Little Rock, AR: August House.

Grindley, S. (1997). Breaking the Spell, Tales of Enchantment. New York City: Kingfisher.

Hamilton, M. & Weiss, M. (1999). How & Why Stories, World Tales Kids Can Read & Tell. Little Rock, AR: August House.

Holt, D. & Mooney B. (1994). Ready-to-Tell Tales. Little Rock, AR: August House.

MacDonald, M. R. (1992). Peace Tales: World Folktales to Talk About. Hamden, CT:

Linnet Books.

Medlicott, M. (1992). Tales for Telling from Around the World. New York City:

Kingfisher Books.

Mesopotamia

Barchers, S. I. (1990). Wise Women: Folk and Fairy Tales from around the World. Englewood,

CO: Libraries Unlimited.

Climo, S. (1999). The Persian Cinderella. New York City: HarperCollinsPublishers.

Caduto, M. J. (1997). Earth Tales from Around the World. Golden, CO: Fulcrum Publishing.

DeSpain, P. (1979). Twenty-Two Splendid Tales to Tell from Around the World: Vol. 2. Little

Rock, AR: August House.

Forest, H. (1996). Wisdom Tales from Around the World. Little Rock, AR: August House.

MacDonald, M. R. (1992). Peace Tales: World Folktales to Talk About. Hamden, CT:

Linnet Books.

Phelps, E. J. (1981). The Maid of the North, Feminist Folk Tales from Around the World. New

York City:
Henry Holt and Company.

Shepard, A. (1999). Forty Fortunes, a tale of Iran. NewYork: Clarion Books.


Until we tell again,

Rachel Hedman
Professional Storyteller
Co-Chair of Youth, Educators, and Storytellers Alliance
(801) 870-5799
info@rachelhedman.com
http://www.rachelhedman.com/
http://www.yesalliance.com/

2 comments:

Oscar1986 said...

I realy love your blog, awesome read. I have never met a pro-story teller before, very unique job, what is the best and worst part of the job???
check out my ancient worldz blog if you get a chance, I love all feedback :)

Professional Storyteller Rachel Hedman said...

I am pleased that you enjoy the blog. If you want to "meet" other storytellers, it's easiest to go to http://www.storynet.org for the National Storytelling Network.

Being a storyteller is more of a lifestyle than a job. As humans, our minds work best through stories as there is a type of order yet mystery that emerges from them.

As for what I love best about storytelling--my answer changes through the years. When I began 13 years ago as a sophomore in high school, it probably was simply for the spotlight. Now, I see how stories connect one person to another. The more stories you know about someone, the easier to love and harder to hate that person. This could expand to cultures and countries. Ultimately, every story illuminates some element of truth. Some stories are more true than others. Even a tall tale has redeeming value. I will never have a set answer for what strikes me most about storytelling.

As for the down side--storytelling is an art that most people take for granted and is not as honored as such arts like theatre, music, and dance. Interestingly, we only know about these other arts because of the stories carried on from person to person so we may still know how to act, sing, or move.

Until we tell again,
Rachel Hedman